surah sad bangla tilawat ।সূরা ছোয়াদ | noor

 Generally Middle and Late Meccan suras can be partitioned into three segments by substance and style-a tripartite division. Assessment of the structure of a sura can make what appears to be a circular assemblage of sentences unmistakably progressively intelligible. Even structure, otherwise called ring organization, can help both the beginner and experienced peruser locate the focal message. Sura 38 would first be able to be separated into three essential areas: the first from refrains 1-11; the second, 12-64; the third, 66-88. The first and third areas, comparable long, help the peruser to remember the intensity of God and the Qur'an by portraying obliteration and heck, the third segment venturing to such an extreme as to depict the formation of shrewdness: the fall of Iblis, who becomes Satan.

The bigger focus segment (12-64) gives instances of scriptural figures like David, Solomon, and Job to Muhammad as Messengers who likewise confronted difficulty. In the center segment of the sura, God compactly advises Muhammad to "Recall Our workers Abraham, Isaac, and Jacob, all men of solidarity and vision. We made them be dedicated to Us… with Us they will be among the choose, the genuinely great… This is an exercise" (Q38:45-49). The recorded setting of the sura affirms this is to be sure its focal message: evidently, Muhammad was battling with dismissal from his clan, the Quraysh, so God sent this disclosure to help and empower him. As access to paradise is the last objective of Islam, nothing could fill in as better motivation to Muhammad to endure even with misfortune. By the by, one must remember that as Islam picked up devotees and adjusted to proceed with its development, the unmistakable divisions inside suras obscure and messages gradually become lengthier and increasingly far reaching works; the peruser can't generally discover three, not to mention two, obvious sections.[4] Even inside Sura 38, the subject and tone can move each couple of refrains from general portrayals of paradise and hellfire to short instances of explicit prophets.